Tuesday, June 19, 2012

Looking Filmmaking Canon 7D

Who is this Training for?
If you are new to the video mode on the Canon EOS 7D or are new to shooting video on any video D-SLR then this training will give you a very good level of understanding on what kit you need and how to use it.






Filmmaikng Canon 7D


Filmmaikng Canon 7D

Filmmaikng Canon 7D



CANON 7D FILMMAKING canon 7D filmmaking

canon 7d filmmanking

Tuesday, June 12, 2012

Look at the strengths and weaknesses as a professional DSLR nikon D90

Look at the strengths and weaknesses as a professional DSLR nikon D90!!!!!










 See the latest price : Nikon D90 12.3MP DX-Format CMOS Digital SLR Camera with 18-105 mm f/3.5-5.6G ED AF-S VR DX Nikkor Zoom Lens


Tuesday, June 5, 2012

Afghan Girl Taking National Geographic's Most Famous Photo

'Afghan Girl': Taking National Geographic's Most Famous Photo




Sunday, April 22, 2012

Tips For Success Wedding Amateur Photography




Rewarding and fun wedding photography and his company is a great way to tell everyone how good you are shooting. Sector, although well-trained professionals and photographers, beauty is a professional photographer to capture the event will not be intimidated because they do not. If you’re a fan of wedding photos, so if you are 10 tips for your business succeed:
1. To make sure you know what they are doing on their wedding day, please contact the bride and groom. They are honest ceremony and reception may ask to take pictures, family portraits, or just be a simple and formal.
2. During the second wedding ceremony, you need to know the limits. Wedding Photography does not necessarily mean that we take pictures every second of the event. During the ceremony, such as this will cause unnecessary distraction, there are certain parts of the wedding fever is not allowed. Therefore, the fire can not know the specific times.
3. Get the images you want to take from the third. The whole point of your life again in the near future to capture these precious moments with the bride and groom to be there for. They are useless, not to blur the clear, I want great photos. In these moments that you need to make sure.

Saturday, April 21, 2012

The Hybrid Photographer Essential gear and tips to capture knockout stills and video






Cotton Carrier Camera Vest
Japan is one of the most picturesque countries on earth. When I first traveled there 20 years ago, it was with a still camera shooting film. Now I have the ability to record what I see and experience in both high-quality digital stills and HD video with one camera. The hybrid revolution has made this possible.

In the professional arena, there's an exponentially growing call for multimedia production from a single source, and even if you don't make your living this way, you can add an extra dimension to your travel photography by including video in the mix. And though the latest HDSLRs make it convenient to capture both still and video, don't expect to get great videos right out of the box. For the best-quality video, you're going to want some additional tools to improve both picture and sound quality.


Kessler Pocket Dolly
I picked up some valuable tips on shooting HDSLRs during a three-day EOS Moving Image Workshop put on by Createasphere, a company dedicated to presenting the state-of-the-art tools and people in the digital production and postproduction realm. The workshop, led by notable cinematographers, focused on ways to make the new breed of hybrid cameras cinema-friendly, and included a comprehensive overview of hybrid camera production and post workflow.


Glidecam X-10
To demonstrate the capabilities of HDSLRs, we were shown a montage of work created primarily with the Canon EOS 5D Mark II and EOS 7D, including a grandiose wedding shot in India, Christopher Morris' black-and-white, selective-focus documentary on President Obama, a dramatic piece by Philip Bloom in Europe with stunning night shots, magnificent footage by Bruce Dorn of horses running through snow and a Saturday Night Live opening sequence.

Analyzing these impressive works, it becomes obvious that some video techniques are counterintuitive to our still photo sensibilities, such as not moving the camera and letting action go out of frame. Motion in the video world is often done by edit, not by moving the camera.

CAMERA SETTINGS
Get familiar with your camera and its video options. Experiment with different settings to see how they affect the look of the video beforehand, so you'll be familiar with the controls and will know what to expect.